Vocals, while keyboards are often used just to fill in sound as opposed to take leading roles. The bass is often also kept quite high in the mix, providing a real aural balance to the guitars and Off as if they have never been away and Andrew seems as if he always been by their side with some wonderfullyĬomplex bass runs. It comes in it always has an immediate impact, but right from the beginning one is enthralled as Fred and Perry hit it The saxophone is used sparingly, which means when Sound of traffic while at others it is incredibly jagged and abrupt.
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That is very much the case also with Zip Tang.Īt times, the music is gentle, when they are dealing with something quite emotional, with lulling picked guitars and the The band understood that to deal with a subject matter of that gravity they also had to really stand out musically and
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Robbery of Murder' and Tr3nity's 'The Cold Light of Darkness', with the former dealing with a child's loss of their fatherīy a drunk driver and the plan to seek revenge, while the latter also deals with the subject of child abuse. This is not the first progressiveĬoncept album to touch on dark subject matters, and my mind is immediately drawn to the likes of Salem Hill's 'The Some elements of the story can also be found in the cover art, the resultīeing an album which in many ways is quite dark, certainly from a lyrical perspective. Marie living on the streets and all that entails. This time they have also delivered a conceptĪlbum, where they tell the story of Marie, an orphan who is abused by her adoptive father, which in turn leads to It may have been five years since their last album, and they misplaced a founder member during that period as well,īut the band have come back even stronger than they were previously. Drummer Fredįaller is still there, and the trio have been joined by saxophonist Marcus Padgett who actually left the band a whileīack but has returned to assist on the album alongside additional keyboard player Matt Gunsaulus who plays on a few Longer involved, and his place on bass and backing vocals has been taken by "new boy" Andrew Bunk. Now theyĪre back with their sixth album, and the most important thing to note even before playing is that Rick Wolfe is no Synthesizers) tracked me down a few years back, and since then I have reviewed the rest of their catalogue. I first came across these guys at the time of the release of their second album, 'Pank', some dozen years or so ago.Īs is the case with many bands we lost touch for one reason or another, until Perry Merritt (vocals, guitars, In the summer of 2015 ZT v2.0 released their fifth collection of tunes PRIVATE SHANGRI-LA.Īs of 2018 Zip Tang are a trio, with MERRITT and FALLER working with new bassist Andrew BUNK on their first concept album.īiography provided by the artist and used with permission Great reviews continued with the two follow up releases FEED OUR HEADS and DAS REBOOT. The next album PANK was warmly welcomed by critics and was nominated for best progressive rock album by the "grass roots Grammys" organization Just Plain Folks in 2009.
The first album released in 2007 - LUMINIFEROUS ETHER - gained some recognition with the track "TOWER OF TUNA" and their interpretation of the "TARKUS" suite by ELP. Soon after, the band's name was changed to ZIP TANG and the decision was made to start writing original material. With no luck finding a keyboard player, Fred brought in his orchestral mate from the College Of DuPage big jazz band - Marcus PADGETT - who played saxophone and a little keyboards. The search began for a drummer and keyboard player, and Fred FALLER's audition locked in the core trio of the band then known as RPM. The idea was to start a fun little project covering some of their favourite artists' music - STEELY DAN, JEFF BECK, TRAFFIC, YES, KING CRIMSON, etc. Zip Tang began as a conversation between Perry MERRITT and Rick WOLFE at a local jam session in a suburb of Chicago, IL.
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